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Fender Shields Blender Fuzz

Fender Shields Blender Fuzz

Fender Shields Blender Fuzz

An innovator and pivotal influence on effect-laden guitar tones, Kevin Shields awakened iconic sonic walls of fuzz like the world had never heard as he defined the tone of alternative rock in the ’80s and ’90s. His tool of choice for fuzz laden chaos: an original Fender Blender effect pedal, prized for its dynamic response and gripping fuzz splatter. Now, through over four years of co-development Fender and Shields have resurrected this mythical 1970’s fuzz and injected a subversive feature set, creating the all-new Fender Shields Blender.

At its core, the Fender Shields Blender Fuzz echoes the tone of Shields’ own vintage 1970s Fender Blender, thanks to carefully hand tracing the circuit from his personal fuzz box. Built around this vintage circuit are entirely new ways of controlling and blending the original fuzz voice, all crafted with performance in mind utilizing four easy-access footswitches. Two footswitchable channels of fuzz, each with dedicated level controls, offer the ability to blend the fuzz voice with your clean signal or to blend the fuzz voice with a beefy suboctave fuzz, while the sag footswitch introduces sputtering and ducking effects like never before heard, all controlled by the intensity of your playing dynamics.

Two switchable channels of fuzz

While the original Fender Blender sported a more-or-less traditional set of stompbox controls, the Shields Blender significantly ups your sonic potential with two footswitchable channels of fuzz, activated by pressing the Octave footswitch.

  • Channel one: This Channel offers a blend between the fuzz signal and your dry guitar signal, allowing you to mix in your cleans to add a touch of clarity to the Shields Blender’s turbulent tone.
  • Channel two: The second channel operates more like a traditional fuzzbox, but blends your signal with a monophonic sub-octave fuzz. Moreover, this pedal’s massive-sounding octave effect provides a sweeping 3-octave range!

Features

  • Original vintage Fender circuit combined with an all-new control set
  • Two channels and three octaves of blendable, analog fuzz tones
  • Footswitchable, reactive voltage sag circuit controlled by picking dynamics
  • Custom 1970s inspired roadworthy chassis with top-mounted jacks
  • True-bypass switching
  • Powered by 9-Volt Battery or center negative AC adaptor, not included

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MXR Bass Fuzz Deluxe

MXR Bass Fuzz Deluxe

MXR Bass Fuzz Deluxe

To create the MXR Bass Fuzz Deluxe, MXR dug up a rare vintage fuzz and modified it for the modern bassist. The resulting stompbox delivers a cutting and bold fuzz tone without degrading the punch and clarity of your original signal.

With separate Dry and Wet level controls, the Bass Fuzz Deluxe sounds like you’re running two different amps. Blend to taste, from subtle hairiness to full on raging fuzz, with Fuzz and Tone controls affecting only the Wet signal. The Bass Fuzz Deluxe features true hardwire bypass.

 

Features

• Based on a rare vintage fuzz circuit but modified for the modern bassist
• Tone control affects only the fuzz signal, leaving your direct signal clean and clear
• Separate Dry and Fuzz controls for tonal versatility
• Delivers a bold and cutting fuzz tone while retaining clarity and punch
• Analog circuitry for rich organic tone

 

SPECIFICATIONS
Input Impedance 1 MΩ
Output Impedance 100 Ω
Signal to Noise 90 dBV
Fuzz Gain Range 40 dB
Dry Max Gain +6 dB
Bypass True Hardwire
Current Draw 11 mA
Power Supply 9 volts DC

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Wampler FUZZTRATION

Wampler FUZZTRATION Fuzz and Octave Pedal

Wampler FUZZTRATION Fuzz and Octave Pedal

Wampler FUZZTRATION Fuzz and Octave Pedal – The Wampler Fuzztration fuzz and octave pedal aims to solve some of the frustrations involved with even the most acclaimed fuzz pedals available. Its 3-band EQ offers big sonic potential, giving you much more tonal flexibility than a standard tone knob. The footswitchable octave effect can be routed pre-fuzz or post-fuzz depending on your sonic preference. And the Fuzztration’s 2-way voicing switch covers the range from loose and saggy to tight and present. Whether you’re looking for epic sustain or raspy psycho-fuzz, We’re sure you’ll find your tone in the Wampler Fuzztration fuzz and octave pedal.

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Wampler Velvet Fuzz Pedal

Wampler Velvet Fuzz Pedal

Wampler Velvet Fuzz Pedal

Wampler Velvet Fuzz Pedal – Take your tone over the edge with the Wampler Pedals Velvet Fuzz pedal. Not just another fuzz, the Velvet Fuzz combines classic fuzz with the sound of an EL34-powered stack to give you a massive tone. The “tight” setting gives you big fuzz-like distortion. When flipped to the “big” setting, the Velvet Fuzz delivers classic fuzz tone with loads of compression. Rolling back your guitar’s volume cleans up the sound for a fat rhythm tone. If you’re looking for that fuzz-into-a-screaming-stack sound, then grab the Wampler Pedals Velvet Fuzz and start rockin

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DOD Chthonic Fuzz

DOD Chthonic Fuzz Effects Pedal

DOD Chthonic Fuzz Effects Pedal

DOD Chthonic Fuzz Effects Pedal – Drawn from the darkest depths of the sonic void, DOD’s Chthonic fuzz pedal is precision-voiced to make any single-coil pickup shudder. This frightening fuzz takes inspiration from a classic single-knob pedal from the 1970s, then upgrades the formula with a dedicated Fuzz control and a subtle yet powerful tone in the form of a Lustre knob. The result? A dar, dreadful fuzz that can transform thin single-coil pickups and clean, bright amps into sludgy fuzz walls of cosmic proportions. Moreover, while the Chthonic is certainly capable of smothering any signal chain in all-encompassing fuzz, dialing down the gain or your guitar’s volume knob offers a remarkably versatile range of gain tones to choose from with superb touch sensitivity. Envelope your rig with eldritch-inspired fuzz tones with the crushing cry of DOD’s Chthonic fuzz pedal!

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Electro Harmonix X JHS

Electro Harmonix X JHS Lizard Queen Octave Fuzz Pedal

Electro Harmonix X JHS Lizard Queen Octave Fuzz Pedal

Electro Harmonix X JHS Lizard Queen Octave Fuzz Pedal – A collaboration between Electro Harmonix, JHS, and acclaimed artist/illustrator Daniel Danger, the Lizard Queen is a fire-breather of an octave fuzz pedal straight out of EHX’s early ’70s golden age. The Lizard Queen has a fully blendable analog octave-up effect that will take you anywhere from a slight clang to maxed-out, vintage-octave madness. In lieu of a standard tone control, the Lizard Queen’s Balance knob features two distinct sonic voices at each end of the knob’s spectrum, functioning as a hybrid tone/gain control that unlocks myriad hard-clipped sounds to savor. The Lizard Queen features a fixed-level fuzz circuit fine-tuned for maximum wall-of-sound might. For an idea that began life as a vintage-inspired daydream between JHS founder Josh Scott and Daniel Danger, the Lizard Queen is truly a top-class octave fuzz pedal that’s earned its regal reptile status in the Electro Harmonix pedal pantheon!

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Electro Harmonix J Mascis

Electro Harmonix J Mascis Signature Ram’s Head Big Muff Fuzz Pedal

Electro Harmonix J Mascis Signature Ram’s Head Big Muff Fuzz Pedal

Electro Harmonix J Mascis Signature Ram’s Head Big Muff Fuzz Pedal – For most players, an “always-on” pedal is a subtle boost or a pinch of reverb. However, most players are not J Mascis of Dinosaur Jr., an indie-rock guitar hero and a man who proudly proclaims “the Muff is always on.” The Electro-Harmonix J Mascis Signature Ram’s Head Big Muff is a replication of one of his favorite Muffs, the 1973 V2 Violet Ram’s Head Big Muff Pi — a renowned fuzz for its ability to remain clear, present, and defined on even the most crushing settings. Dinosaur Jr.’s tonal foundation owes much to this mighty pedal, and it’s been the sonic core of J’s laid-back 6-string virtuosity across the band’s entire output. If you’re looking to capture the sound that defined the “Freak Scene” of ’80s and ’90s indie rock, string up the ol’ Jazzmaster and kick on the Electro-Harmonix J Mascis Signature Ram’s Head Big Muff!

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Fender Hammertone Fuzz Pedal

Fender Hammertone Fuzz Pedal

Fender Hammertone Fuzz Pedal

Fender Hammertone Fuzz Pedal – The Hammertone™ Fuzz captures the iconic splat, saturation and horn-like sustain used on the formative records of rock’n’roll history. Despite its small size, this purple-tinged, psychedelic stompbox is feature-packed with three classic controls, two silicon diodes and an octave fuzz mode – allowing you to recreate the legendary sounds of the ‘60s & ‘70s or forge your own unique tone.

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Electro Harmonix Octavix

Electro Harmonix Octavix Fuzz / Octave Up Pedal

Electro Harmonix Octavix Fuzz / Octave Up Pedal

Electro Harmonix Octavix Fuzz / Octave Up Pedal – You can’t argue that octave and fuzz effects don’t go hand in hand, and you get both in the electro-harmonix Octavix fuzz/octave pedal. Whether your guitar has single-coil or humbucking pickups, you can coax a wide range of vintage fuzz effects from the Octavix. Guitarists especially dig the switchable 9V/24V operation – at 9V the Octavix sounds like a vintage fuzz unit, while 24V operation serves up a tighter sound with a fatter octave effect. Once you plug in and turn up, it’s hard not to sound like a rock icon with the ehx Octavix pedal.

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Red Witch Fuzz God

Red Witch Fuzz God IV Fuzz Pedal

Red Witch Fuzz God IV Fuzz Pedal

Red Witch Fuzz God IV Fuzz Pedal – Just like some of the legendary fuzz pedals from the ’70s — and previous versions of the Fuzz God — the Red Witch Fuzz God IV fuzz pedal delivers some of the most punishing fuzz tones you’ve ever heard. Building on the sonic flexibility of the previous iteration, the Fuzz God IV features an internal 8-way DIP switch you can use to alter its gain and tone characteristics — with 264 possible settings, there’s a universe of fuzz tone to explore! The confrontational Wrath mode is back, and Red Witch has added a germanium-diode Octavia circuit for octave effects. If you haven’t been able to find your ideal fuzz tone in other pedals, you’re certain to dial it in with the Red Witch Fuzz God IV.

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